Author: Stacey Patton, Department of Media, Journalism, and Film, Howard University - ORCID

Abstract: »This essay provides a critical analysis of early-20th-century American postcards, focusing on the portrayal of black and white children as an aesthetic tool of white supremacy and pedophilic racist pleasures. These visual representations not only reflected but also perpetuated colonial ideologies and racial stereotypes, directly influencing educational practices and policies, and contributing to a social environment where discrimination and sexualization of children was normalized. The article begins with the stark contrast in the depiction of white and black children, revealing a pattern in which white children were often fetishized as embodiments of innocence and purity, while black children were subjected to pornified portrayals that reinforced negative stereotypes and sought to ensure the continued intergenerational subjugation of African Americans in the afterlife of slavery. A significant aspect of this analysis delves into the role of the zealous purity crusader Anthony Comstock (1844-1915) in shaping societal views on childhood innocence and obscenity during the Progressive Era. As a U.S. postal inspector, Comstock wielded substantial influence over public discourse and policy, particularly through his campaigns against the distribution of what he considered morally objectionable media representations. This examination extends to the racial implications of Comstock’s adult-centric actions, exploring how they contributed to the differential treatment of black and white children in both media representations and broader societal contexts. The article argues that these images were not merely passive reflections of societal beliefs; rather, they were active tools used to shape and influence the educational and socialization processes of children, and they contributed to the perpetuation of Jim Crow violence, which was manifested through the sexual assault, castration, and lynching of black youth. Furthermore, this essay examines the broader socio-historical context in which racist and pedophilic images were produced and circulated. These postcards are still trafficked today under the false designation of ‘Black Memorabilia,’ reaching significant prices as vintage collector’s items, but the article reframes them as a genre of explicit child pornography. This decolonial perspective critically challenges prevailing narratives that may sanitize or downplay the exploitative and violent nature of these images of black children. This essay urges a reconsideration of these consumer items’ historical significance as instruments intricately complicit in sustaining colonial structures and ideologies surrounding childhood innocence in North America. Within this analytical framework, the dehumanization of black children through pedophilic pornography reflects a long heritage of anti-child violence in Western traditions and the colonial strategy of exploiting children of color as a lucrative mechanism for profit and libidinal pleasure.« (Source: childhood & philosophy)

Contents:

	abstract (p. 1)
	resumo (p. 2)
	resumen (p. 2)
	introduction (p. 4)
	picturing innocence (p. 16)
	picturing the “priceless child” (p. 31)
	bibliography (p. 35)

Wikipedia: History of the Americas: History of the United States | Pornography: Child pornography | Pornography: Anti-pornography activists / Anthony Comstock | Sex and the law: Child sexual abuse / Child sexual abuse in the United States